Of the two percent that they found that were listening to “War of the Worlds,” not a single respondent thought it was a news broadcast. These being haunted woods, strange rituals and a creepy old abandoned house. ROBERT KRULWICH: Which is not unlike what is was like on September-. Railroad tracks are torn and discontinued. Reviewed in the United States on February 9, 2020. But this movie shows you nothing, and delivers everything - and this is very rare these days. TONY FIELDS: Everything that happened next happened extremely quickly. At this point, you call your whole family into the room. Why don’t we look at the surveys that night? Okay, but forgetting that for a moment, what about this second lesson he had to teach us-the thing about: don’t believe the radio? JASON LOVIGLIO: I-somehow it gets me every time. DANIEL MYRICK: We were getting calls from police, wondering where these three kids were and how come they never heard of this case-. But again, you will have time to debate since ABSOLUTELY NOTHING HAPPENS IN THIS MOVIE. The “War of the Worlds” not once, not twice-we’ve told-shown you three broadcasts tonight, it was so good at grabbing an audience and sucking them in that the Welles formula-you might call it-the newscast that scares you enough to keep you listening has been adopted by-of all folks-news companies. I didn't expect gore, and I didn't want gore but, for me, this wasn't scarey at all. Gotcha. I’m sure there must’ve been some ambivalence but from what I understand the story was kept-it was very top secret so that even the employees did not know what was going to be broadcast during that music program. Really good acting. ARCHIVE, Mercury Theater: The government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet Mars. No more defenses. (coughing) Ladies and Gentlemen, I have a grave announcement to make. Three film students enter the Maryland forest to document the Blair Witch, but are never heard from again. By submitting your information, you're agreeing to receive communications ROBERT KRULWICH: Marge! I certainly don't think this should be categorised as a horror movie. It's nearly 20 years later and this (once) one-of-a-kind found footage movie still bests most of its competitors in this sub-genre. TONY FIELDS: And he tells me that he sees-going the other way-this convoy of military trucks. A spokesman for the federal agency referred to the explosions on the planet Mars and said it was not known if it would have the same effect on Earth communications as similar explosions on the surface of the sun, I guess they’re talking about sunspots and things like that so, uh, I don’t know, it means that it’s going to be hard to hear communications from NASA, “can you hear me down there in South Carolina?” As long as you can hear WKBW, what difference does it make about communications? ARCHIVE, Pearson: At any time, Mr. Phillips. Basically, ha ha, it was a joke. Will I actually ever get out of these woods? Some said they saw Martian machines high-stepping their way down the Palisades, splash, splash, splash, uh, and many people-when they called operators or police-didn’t say, oh my god, we’re being invaded by Martians, oh my god, we’re being invaded by Germans. from New York Public Radio in accordance with our Terms of Use. Incredible as it may seem, both the observations of science and the evidence of our eyes lead to the inescapable assumption that those strange beings that landed in the Jersey farmland tonight are a vanguard from an invading army from the planet Mars. And so they were waiting for a way to really to prove to advertisers and to federal regulators, you know, they had the first amendment, they understood responsibility-these are the newspaper managers. Rock ‘n roll WKBW Jackson...Halloween night...all together where it is...WKBW. ROBERT KRULWICH: But 16 years later Orson Welles changed the story. ARCHIVE, other newscast: From the NBC newsroom. JAD ABUMRAD: So, which one was it, you think? ), Virginia. ROBERT KRULWICH: And today we’re, um, we’re celebrating a multiple set of anniversaries because it was 80 years ago-80 years ago that Orson Welles and the Mercury Theater decided to allow Martians to invade the state of New Jersey. ROBERT KRULWICH: That the form-in the news is a-because the guy is always there because he’s an anchor, that’s the word means. I just botched that, my apologies. MICHAEL SOCOLOW: Michael Socolow and I’m an associate professor of journalism and communication at the University of Maine. I can make out a small beam of light against the mirror. ROBERT KRULWICH: He has this notion, Richard Gerrig does, that at root, people are suckers for stories, we just cannot help ourselves. ARCHIVE, Mercury Theater: Ladies and gentlemen, we interrupt our program of dance music to bring you a special bulletin from the Intercontinental Radio News. It's creepy at how easy it is to relate to. It is a reassuring thing to see night after night, telling and telling. Again. 12 million people have just heard slithery, green aliens eviscerate policemen, farmers and reporters followed by nothing. TONY FIELDS: So, we hear another couple songs and then there’s another interruption. There are noises. JAD ABUMRAD: Their shells bounce right off. JAD ABUMRAD: Never to return. Straight in front of me now you’ll hear two sounds in just a moment (war sounds). There they are. ARCHIVE, Mercury Theater: Now, we’ll return you to Carl Phillips in Grover’s Mill. At 20 minutes before 8 central time, Professor Farrell (sp?) We decided that the time had come we should be doing a science fiction show and so we tried a few that weren’t very easy to do-. Or in the gas raid shelter. Just a moment please, Ladies and Gentlemen. People were running but they didn’t know where to run. JAD ABUMRAD: And by the way, what time you got on your, uh, your pocket watch there? And it just so happened that one month prior something had happened that forever changed, well, the world and the news. I watched this when it first came out, immediately demanded a refund from the theater (never got one), and swore if off for good. They send Paez to report from the scene. Very much out of the style of modern horror, this one is principally about the three main characters, their interaction, and their naiveté in attempting to chase down a paranormal legend. JASON LOVIGLIO: He’s giving us a story of an unfolding emergency. JAD ABUMRAD: Those of you who’ve raised your hands-I’d say it’s about 75 percent of you-you are correct. JAD ABUMRAD: Where they landed on the Mercury Theater on the Air, already in progress, where they stayed put. He would just give us in broad terms that he had been in a building that had caught fire. What about that? It's still very scary, and in fact is probably more effective now that it was in... Was this the first 'found footage film"? One interviewee even claims to have seen the Blair Witch, describing her as a half-human, half-animal creature.The group then hike into the Burkittsville woods, only to quickly find themselves lost. The alternative endings weren't very good. JAD ABUMRAD: Okay, this is Maria Beltran Testagrossa (sp? As time wears on, they lose more than direction and come across far more than they planned to see. ARCHIVE, Mercury Theater: We take you now to the field headquarters of the state militia near Grover Mills, New Jersey. Thank you all for coming and where is my co host? He hopped to the next building, hid out for a few days and then fled the country to Venezuela never to return. Directed by Daniel Myrick, Eduardo Sánchez. The movie is very simple and straight-forward. He loved it. It was Halloween after all but if you consider that about 1 out of every 12 people didn’t the joke, that’s what surveys found afterwards. But Loviglio says that the real genius of the “War of the Worlds” was the Welles put you into a newscast where you expect anchors to anchor and you expect reporters to report and then bzzzt he kills the reporter and the anchor. You can command Bullet to seek an item or clue, and he can show you where to go. ): And, uh, eventually, he was the last one left and uh, and he jumped out the window. ARCHIVE, newscast: The makers of the Chase & Sanborn coffee you know is fresh presents the Chase and Sanborn hour. People poured out into the streets. Everybody knows it didn’t happen. Look, if we-you-you-if there wasn’t another one of these, what would we be doing for the next 40 minutes? This is the end now. We’re not making this movie to kind of scare people. The night time scenes are freaky in how the littlest of noises can scare us, but who of us haven't experiences paranoia when camping? And, you know, he had so many scars-he had-as children my brother and I would play with his scars, we would trace them with our finger and ask him what happened, you know, how he got the scars and he would tell us about the fire. It was a very popular so I don’t see why-, JAD ABUMRAD: Right, and, in fact, let me bring in a clip from Orson Welles’ producer at the time, John Houseman (sp? On that night, the United States experienced a kind of mass hysteria that we had never seen before and the reason-which, today sounds almost comical-was a radio play. Does everybody know this “War of the Worlds” story? TONY FIELDS: Not only that. TONY FIELDS: And priests absolving whole crowds at once. ARCHIVE, Mercury Theater: We are ready now to take you to the Princeton Observatory at Princeton-. DANIEL MYRICK: No regrets on people not wanting to go camping. Since absolutely nothing happens in this movie, I was free to spend time internally debating which character I wanted to be killed first, which is sort of like deciding if you want a million dollars paid out in twenties or fifties. Meteors-what? Apparently his friends thought it was pretty cool, so, he just had to watch it. JASON LOVIGLIO: But his mastery of information, his mastery of his own voice, his bravery on the scene. But then it happens again. ARCHIVE, radio newscast: If you live in one of the areas mentioned and you have a child of school age and wish to have him evacuated, you should send him to school tomorrow, Friday, with hand luggage containing the child’s gas mask, a change of underclothing-. RICHARD GERRIG: I think the norm is to fall into the story and that it’s unusual to sort of keep yourself from falling in. ARCHIVE, Mercury Theater: This is Orson Welles, ladies and gentlemen, out of character, to assure that the “War of the Worlds” has no further significance than the holiday offering it intended to be. About out of every 12 people who heard the broadcast thought it was true and that some percentage of that 1 million people ran out of their homes, towels over their faces, clutching children, breaking limbs. And the survey that was done 12 hours later by CBS the following morning? ROBERT KRULWICH: I don’t really know, I don’t really know. Because he’s the guy I wanna ask, like, what were you thinking? And the eyes, there might be a face, might be-good heavens, something wiggling out of the shadow like a gray snake. Little green creatures from Mars with thirst or something have to leave their planet and they come to Earth. ROBERT KRULWICH: I don’t if I need any more Raymond Rocello but I need to know a little bit more about this, uh, Martian thing. ROBERT KRULWICH: And I’m Robert Krulwich. ARCHIVE, radio newscast: September 22, 1940. Another bulletin from Langenfield (sp? films en VF ou VOSTFR et bien sûr en HD. Easily one of the best and most effective horror films because it doesn't seem to be trying too hard. It gets 4 stars instead of 5, mainly because some of the acting was poor, especially Joshua Leonard. There is no wrong answer. The Blair Witch Project follows three genuinely interesting young people into the forest while filming a documentary on witchcraft. Our smallest inhabitants of our planet bite them and destroy them and it’s science fiction, of course, but in 1938 most kids knew this story. The director is Heather Donahue (Heather Donahue), her main cameraman is Joshua Leonard (Joshua Leonard) and Michael Williams (Michael C. Williams) is the sound crew. ARCHIVE, Murrow: You may be able to hear the sounds of guns off in the distance, very very faintly, like someone kicking a tub. – Garder download-film.club dans ses favoris pour revenir nous voir plus souvent. JAD ABUMRAD: In just one month, these bulletins become so numerous-. Nothing scary. Thanks for nothing. They broke in. And the leader of the radio station-the guy who ran it-a devious fellow by the name of Leonardo Paez. It's what you'd be questioning to yourself, to the point of insanity. But that’s because it’s part of our national visual memory. This one is real. JAD ABUMRAD: is the sound of 700 people who’ve come to bear witness to a recording of our show today. ARCHIVE, newscast: We interrupt our program to bring a special broadcast. JAD ABUMRAD: So immediate and so profound that the FCC Commissioner at the time, George Henry Payne, labeled the Mercury Theater on the Air-get this-terrorists. Sorry to say I found the characters interesting but overall the movie is highly repetitive and boring.
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